I've been working on a project that's made me realise just how little I've learnt about Australian art, design and architecture in my time living in Sydney. This weekend, I started to remedy that, beginning with a visit to the
Rose Seidler House - my friend
Jessica and I went to the annual Fifties Fair that is held there - the grounds were full of vintage clothing stalls, and people dressed in period costume, and driving the coolest old cars. The architect, Harry Seidler, is responsible for some of the most beautiful buildings around Sydney, and this is the home he built for his parents.
The outstanding feature of Rose Seidler House is that it is one of the purest examples of mid-century modern domestic architecture in Australia.The term mid century modern refers to the work of the generation of young architects who emerged from American universities in the late 1940s. They were taught by the leading modernists of the 1920s Bauhaus: Walter Gropius, Josef Albers and Marcel Breuer. Among them was Harry Seidler who was imbued with the new philosophy when he designed Rose Seidler House in 1948-50. It combined the new architecture of space, the unity of arts and architecture, the new vision of abstraction in the visual arts and the new technology of structural engineering and industrial design.This holistic design theory and practice determined the use of form, space, materials, colour, fittings, interiors and landscaping. Rose Seidler House should be viewed as a total sculpture based on the 'tensional opposition' of these elements. The sculptural form of the house, of interest from any angle, departs from the traditional notion of a house as a decorated box. We can imagine it as a cube, with a section cut away below and another cut from the centre to form the sun deck. The solid walls of the traditional house are replaced by glass, and this 'floating' skeletal form is anchored to the ground by slender columns and the 'tentacles' of the ramp, stone walls and louvre screen.These are all part of the total sculpture.